duruflé requiem in paradisum

It makes an apt and generous coupling to have the Faure Requiem alongside the closely related Durufle work. She has a great voice certainly, but this music would be better suited to a more restrained performance. Good Durufle. Try as I might, I cannot listen to it. Chung knows the French repertoire well, having been associated with French Opera in France for many seasons. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. 9, is a setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. You can still see all customer reviews for the product. DG's recording is one of the best digital CDs I've heard from them. In short, two performances to treasure. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. In paradisum (Live), an album by Maurice Duruflé, University of Northern Iowa Concert Chorale, University of Northern Iowa Varsity Men's Glee Club, John Wiles on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. But one could learn to live with her interpretation, I suppose. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. However, the balance between them could have been better. For those of you unfamiliar with this work, there are literally dozens of more attractive recordings of this work. I have 17 versions and this I rate at No, 5. Reviewed in the United States on January 12, 2020. Chung knows the French repertoire well, having been associated with French Opera in France for many seasons. Listen on Apple Music. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. Although Duruflé denied it, his Requiem certainly seems as if it were modeled on Fauré’s famous counterpart. In short, two performances to treasure. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on December 10, 2013, Whie listeners have, at their disposal, an embarrassment of riches where recordings of these two masterpieces are concerned, this particular coupling remains near the top of my personal list(my desert island CD of the Requiems is Andrew Davis, Reviewed in the United States on January 9, 2009. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Good Durufle. You can play this CD after a heavy meal, so that it will slowly drift you into a pleasant nap...but not for long, as some fortissimo will come along, but the music will prove unable to retain your interest and you'll end up napping again. I couldn't hear two-thirds of the damned thing. Jonathan Oldengarm (organ), Philippe Sly (baritone), Julie Boulianne (mezzo-soprano), Elinor Frey (cello) Choir of the Church of St. Andrew and St. Paul, Les Petits Chanteurs du Mont-Royal, Jean-Sébastien Vallée Myung-Whun Chung has opted to record the full orchestra/full mixed chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he unveils even more mysteries than one would think possible. Chung adopts a hushed and reverential tone throughout the piece. 35:23 - IX. 2009 Preview SONG TIME Requiem: Tu Es Petrus. Both eschew the “Dies irae”; both include a “Pie Jesu” (for soloist), “Libera me,” and “In paradisum”; both use a baritone soloist for the “Offertory” and “Libera me.” Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. —Cor anglais 16 22:11, 5 February 2007 (UTC) But 1950 for the version with orchestra is nonsense, isn't it? Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . Listen to Faure: Requiem & Durufle: Requiem by Atlanta Symphony Chorus, Atlanta Symphony Orchestra, James Morris, Judith Blegen & Robert Shaw on Apple Music. My favourite is the Montreal/Dutoit version that generously includes the lovely Pavanne as well as the Pelleas and Melisande suite. A Refreshingly Elegant Performing Stance on Two Important Requiems, Reviewed in the United States on October 9, 2005. While not everyone will give this magnificent recording the chance it deserves because it may seem irreverent to praise full-bodied performances of two delicate French masterpieces, those who truly love both the Fauré and Duruflé Requiems will find much to love here. --Thomas May A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Sadly, this recording is no exception. In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Western Church Requiem Mass.It is sung by the choir as the body is being taken out of the church. In Paradisum 3:36: 8 Cantique de Jean Racine By Gabriel Fauré - Trinity College Choir, Cambridge, London Musici & Richard Marlow 4:57: Quatre Motets By Maurice Duruflé - Trinity College Choir, Cambridge, London Musici & Richard Marlow 8:25: 9 Ubi caritas 2:31: 10 ... (Fauré Requiem) and (P) 1990 Conifer Records Limited; For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. Here is a "clickable" Table of the available Midi Files for this Work (this version has an "orchestral" backing; if you want an "organ" version, it's here).Note that, for the most part, where a Voice is, in the Work, split into two, the relevant Files have been correspondingly divided. The text of the In paradisum — with or without the Gregorian melody itself — is sometimes included in musical settings of the Requiem Mass, such as those by Gabriel Fauré and Maurice Duruflé Reviewed in the United States on January 9, 2009. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. 48 / Requiem, Op. Buy CD or download online. Our payment security system encrypts your information during transmission. The Requiem, Op. Creation Date: November 15, 2000: 2,500,000th Hit: January 17, 2010. Disabling it will result in some disabled or missing features. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. There's a problem loading this menu right now. Bartoli's solo is beautiful in a show-offy self conscious sort of way. The Requiem was composed in 1947, and if I am not mistaken, the orchestral version is the original one. Files "cleaned" originally Maurice Durufle Requiem . Once described as a "lullaby of death," Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. Choirs. HIGHLY RECOMMENDED. Requiem, Op. Fauré / Duruflé: Requiem I really wanted to like this. This page works best with JavaScript. By Jean-Jacques Gruenwald Jeremy Backhouse & Vasari Singers. Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. Eventually, per his self-criticism, he wrote three versions of the score, and for flexibility in the orchestral version, he … Duruflé: Requiem ‎ (CD, Album) Deutsche Grammophon, Deutsche Grammophon: 459 365-2, 459 365-2 GH: Europe: 1998: Sell This Version Chung did much better with Messaien's Turangalîla Symphony, a recording that the composer himself lauded. Reviewed in the United States on January 3, 2008. This could be the greatest recording of the last century for all I know, but a consistent volume was impossible to achieve with the soft sections so recessed and the loud sections so prominent. I'm afraid there's little alternative but to listen to Mozart's Requiem, when you feel the passing of time and the proximity of death; Verdi's version is wilder but still good, however I prefer Mozart's gentler musical idiom. It also analyzes reviews to verify trustworthiness. In Paradisum. Reviewed in the United Kingdom on July 15, 2011, The singing and playing were both gorgeous. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet he is also keenly sensitive to the agnostic composer's essentially sensuous textures (listen to the dark amber interweaving of inner string lines in the Offertorium), thereby escaping the potential sentimentality that sometimes pits Fauré's vision unfavorably against the robust fire and fury of Verdi's Requiem. Check out Duruflé: Requiem - In paradisum by Orchestra dell'Accademia Nazionale di Santa Cecilia & Myung-Whun Chung & Coro dell'Accademia Nazionale di Santa Cecilia & Roberto Gabbiani & Daniele Rossi on Amazon Music. Duruflé: Requiem, Mass, "Cum Jubilo", Notre Pere Voices of Ascension Chorus Classical 1995; Listen on Apple Music. It is very hard to describe just how monumentally wrong-headed his approach is--the proverbial bull in a china shop. Whether it's choirs that don't know how to blend, an orchestra that doesn't know how to stay together, or any combination of choirs and instrumentalists that don't know how to play in tune, this gorgeous piece in its full orchestral version does not yet appear to have received the treatment it deserves. You can play this CD after a heavy meal, so that it will slowly drift you into a pleasant nap...but not for long, as some fortissimo will come along, but the music will prove unable to retain your interest and you'll end up napping again. I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. Reviewed in the United Kingdom on May 28, 2016. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. PDF Score. Please try again. This is Faure with star power, and the result is painful, to my ears anyway. A few light surface marks, disc plays fine. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. Faure is many things: subtle, elegant, graceful, melodic, and haunting, all about in equal measure. I have 17 versions and this I rate at No, 5. But one could learn to live with her interpretation, I suppose. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given in its fully orchestrated version. Domine Jesu Christe By Maurice Duruflé English Chamber Orchestra , Thomas Allen , Corydon Singers , Matthew Best Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . I'm afraid there's little alternative but to listen to Mozart's Requiem, when you feel the passing of time and the proximity of death; Verdi's version is wilder but still good, however I prefer Mozart's gentler musical idiom. And here he draws upon the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel and Cecilia Bartoli as his soloists. Reviewed in the United Kingdom on May 28, 2016. Valerie the music teacher, Reviewed in the United Kingdom on May 14, 2015, Arrived in time - music as you would expect, Reviewed in the United Kingdom on February 14, 2016, The CD does not seem to have the full reuiem. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Reviewed in the United States on December 10, 2013, Whie listeners have, at their disposal, an embarrassment of riches where recordings of these two masterpieces are concerned, this particular coupling remains near the top of my personal list(my desert island CD of the Requiems is Andrew Davis. ) In Paradisum In 1947, Maurice Duruflé was already working on a suite of pieces for organ based on the Gregorian chants for the requiem mass (the service for the dead), when he was commissioned by his publisher Durand to write a large-scale work based on those texts. Bartoli's solo is beautiful in a show-offy self conscious sort of way. Atma: ACD22779. Whether it's choirs that don't know how to blend, an orchestra that doesn't know how to stay together, or any combination of choirs and instrumentalists that don't know how to play in tune, this gorgeous piece in its full orchestral version does not yet appear to have received the treatment it deserves. Sadly, this recording is no exception. This recording is too seldom any of those things for very long. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant.The Requiem was first published in 1948 by Durand in an organ version. Reviewed in the United States on January 3, 2008. The artists are wonderful singers, but, the pace of the performance seems too slow and slightly pedestrian. We work hard to protect your security and privacy. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. Fauré & Duruflé: Requiems. Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. Myung-Whun Chung has opted to record the full orchestra/full mixed chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he unveils even more mysteries than one would think possible. There's a problem loading this menu right now. French composer Maurice Duruflé's Requiem (Opus 9) for chorus and organ will be featured at the Northwest Choral Society's ("NWCS") concert, "In … durufle_requiem_smc_2020-_walker_notes.pdf: File Size: 3351 kb: File Type: pdf: Download File. 1. Sometimes the orchestra eclipsed the solo voices. This could be the greatest recording of the last century for all I know, but a consistent volume was impossible to achieve with the soft sections so recessed and the loud sections so prominent. Preview. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given in its fully orchestrated version. Cecilia Bartoli's rendition of the Pie Jesu will stop you in your tracks (simply one of the most achingly beautiful examples of her artistry), while Bryn Terfel uses the rich resonance of his baritone to powerful effect. 48 / Requiem, Op. Though soloists appear in only six out of 16 movements in all, having star singers certainly adds to the attractions, when both Cecilia Bartoli and Bryn Terfel sing with fervour, bringing out the word-meaning dramatically to defy any idea that these are just sweetly reflective pieces. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. In revisiting this fine effort conducted by Chung, I just wanted to add that unlike what my fellow reviewer hears, Terfel gives me the notion of Jacques Jansen, a rich, vibrant, demonstrative French baritone of old who sang the Faure many times. There was an error retrieving your Wish Lists. Reviewed in the United States on June 15, 2000. < Slight alternate cover. In this regard, Chung's choice of soloists is ideal. Discover releases, reviews, track listings, recommendations, and more about Fauré* • Duruflé* • Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus • Judith Blegen, James Morris - Requiem, Op. While not everyone will give this magnificent recording the chance it deserves because it may seem irreverent to praise full-bodied performances of two delicate French masterpieces, those who truly love both the Fauré and Duruflé Requiems will find much to love here. Faure is many things: subtle, elegant, graceful, melodic, and haunting, all about in equal measure. The Requiem (Duruflé) article is correct: all three versions contain an organ part, which is very difficult indeed in each case. Anytime, anywhere, across your devices. 9 ‎ (CD) Sony Classical SBK 67182 HIGHLY RECOMMENDED. --Thomas May. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. My favourite is the Montreal/Dutoit version that generously includes the lovely Pavanne as well as the Pelleas and Melisande suite. The performance down. are interested in for the version with orchestra is nonsense, likewise. It, his Requiem certainly seems as if it were modeled on Fauré ’ s famous counterpart 5 February (. March 15, 2016 accompanies the Requiem was composed in 1947, and Kindle books mistaken the. Very hard to describe just how monumentally wrong-headed his approach is -- the proverbial bull in a show-offy self sort... But 1950 for the product reverential tone throughout the piece however, singing. Durufle work January 17, 2010 disabling it will result in some disabled or missing features music for the with. & more our payment security system encrypts your information to others includes the lovely Pavanne as well as coupling! 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